The BIO 25 design biennial in Slovenia understands itself as an experimental lab connecting designers and local context. As part of the occupying woods group led by Matali Crasset, I devoloped an experimental setting to investigate the formal quality of the forest by 3d-scanning leftovers and materials. The scans were then 3d-printed. They are are shown inside the Museum of Architecture in Ljubljana (MAO) together with documentation materials.